Large Jazz Ensemble Album
“Mixed Bag” – The Pete McGuinness Jazz Orchestra
Instrumental Composition
“The Sly Fox (in memory of Bill Holman)” – composed/arranged by Pete McGuinness
Arrangement, Instrumental or A Cappella
“’Round Midnight” (Thelonious Monk) – arranged by Pete McGuinness
Arrangement, Instruments and Vocals
“Where Do You Start?” (Johnny Mandel, lyrics by Alan and Marilyn Bergman) – arranged by Pete McGuinness
Featuring Grammy-winning Bill Charlap on piano
The Pete McGuinness Jazz Orchestra celebrates nearly 20 years together with its most diverse and spirited release to date.
Out May 23, 2025 on Summit Records, Mixed Bag features a stellar band of experienced NYC virtuosos with a guest appearance by Grammy-winning pianist Bill Charlap
In the unique vernacular of the jazz nightlife, a “bag” refers to the scene or style, era or approach that the hip musician feels most comfortable working within. Over the course of nearly two decades, the gifted and diverse assemblage of veteran players that make up The Pete McGuinness Jazz Orchestra have proved themselves adept at a staggering range of bags both inside and outside the confines of this lauded big band. In large part that stems from the eclectic sensibilities of three-time Grammy-nominated bandleader and vocalist Pete McGuinness, though the ensemble shares its members with such elite, genre-defying bandleaders as Maria Schneider, Woody Herman, Jimmy Heath, Buddy Rich, Lionel Hampton, Toshiko Akiyoshi and John Fedchock (who also lent his imprimatur to the current session as producer).
Approaching the 20th anniversary of his stellar orchestra, which has been hailed as, “a fleet of inspired and virtuosic soloists coupled with exemplary ensemble prowess” by UK Jazz News, McGuinness shows off the encyclopedic breadth of his well-seasoned crew as well as his own expansive imagination. Scheduled for release on May 23, 2025 via Summit Records, the fourth album by the Pete McGuinness Orchestra, Mixed Bag is the band’s most ambitious offering to date, ranging from unbridled swing to simmering bossa nova, elegant balladry to bracing modernism.
“Some bandleaders prefer to make albums that are more cohesive and concept driven,” McGuinness says. “For me, variety has always been the spice of life. I like to explore different aspects of my musical proclivities. I don’t like the feeling of being pigeonholed into a certain bag, regardless of whether it’s old school or new school. So I took a lot of chances on this album.”
McGuinness was spurred to delve deeper as a composer and a vocalist for Mixed Bag since the album marks the orchestra’s first release since he was forced to put down his beloved trombone. In recent years the bandleader suffered from a neurological disorder known as “embouchure dystonia” that gradually made playing his lifelong instrument unmanageable. “I miss playing,” he explains succinctly. “I focused more on my writing, which led to this being the strongest record I’ve done yet with the big band. I also put a lot into my singing because I still want to express myself as a soloist.”
The loss of McGuinness’ trombone from its ranks is one of remarkably few personnel changes that the orchestra has undergone throughout its history. It’s rare for a band of this size to maintain such consistency over such a long period, even more so given that each chair is filled by one of the most in-demand and virtuosic musicians on the New York City jazz, studio and Broadway scenes. They’re bonded by more than talent, however, comprising a generation of players with shared experiences and deep ties of personal and professional camaraderie.
“For the most part, we all came to New York around the same time, roughly 30 years ago,” McGuinness points out. “We formed a community of cats who played in big bands in New York, who were all in the trenches together for many years before I put this band together. There are a lot of talented young bands and talented young cats, but what makes our band unique is the fact that these cats are so well-seasoned that they bring a level of maturity and grown-up interpretation to the execution of my arrangements.”
Leader/arranger/vocalist: Pete McGuinness
Saxophones/woodwinds:
Dave Pietro, Mark Phaneuf, Tom Christensen, Rob Middleton, Dave Riekenberg
Trumpets/flugelhorns:
Jon Owens and Tony Kadleck (split leads), Hollis “Bud” Burridge, Chris Rogers
Trombones:
Bruce Eidem, Mark Patterson, Matt Haviland, Jeff Nelson
Guitar: Pete McCann
Piano: Mike Holober (tracks 1-10), Bill Charlap (track 11)
Bass: Mark Wade
Drums: Scott Neumann
Violin: Hiroko Taguchi (concert mistress), Whitney LaGrange, Annaliesa Place, Caleb Burhans
Viola: Todd Low, Angela Pickett
Cello: Melissa Westgate, Alon Bisk
Flute: Steve Kenyon
Clarinet: Tom Christensen
French horn: Chris Komer
Conductor (Track 11): Mike Holober
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